Inkheart
by Cornelia Funke and Three to Get Deadly by Janet Evanovich are two very
different stories pursuing very separate themes, but they’re both still stories
about struggle and work. Meggie was trying to live until tomorrow and help her
father while Stephanie was attempting to capture a few hard-to-find F.T.A.’s,
but they both required tremendous strength from the main characters. Finding
out your father can read characters and objects out of books? Not exactly the
same as being short on money and taking on whatever cases can from your sleazy
cousin Vinny, but both are hard. And both books provide very good reminders on
how this is a part of life. They give the reader a reminder that anyone can
overcome the greatest of struggles if they try hard enough and utilize their
support network.
In
Inkheart, without giving too much away, you see fantasy elements arise. Meggie
reads Tinkerbell and the Tin Soldier out of books, her father read her mother
into one, and these are clearly things you don’t see in life. But is this story
really about the fantasy? The ability to read oneself into a book? No. At the
end of the day what Meggie and her father were fighting for was family. They
both did it in their own separate ways, with words, weapons, fire, and
intelligence. Stephanie Plum was also fighting for family in a way. Mo was an
integral part of the Burg community she grew up in. Mo was like that favorite
uncle to many of the kids in the area and seeing him in a bad situation was
hard for every member of the Burg. These familial struggles (or the struggles
of those who feel like family) are hardly new. Everyone goes through hard times
and everyone has the ability to get through them if they fight for what they
want to get out of life and these books really showed you that.
Inkheart
dealt with this matter in such a way that the reader sees how a mother’s
disappearance internally impacts the child. While this is an almost cliché way
to look at this theme, you can also see the stress in Mo’s life. Yes there is
action. Yes there is fantasy. It’s hard to not see those elements and it’s hard
to have them not completely overtake the story. But boil the book down. Remove
the plot, unnecessary characters, literary genius (or failures), and what have
you got left over? The theme. And the theme of this novel is family and what
happens when you lose someone close to you. It doesn’t matter how the family
member is lost, when you really think about it. Divorce, death, they left, you
left, it doesn’t matter because it still hurts and it takes time to heal and
recover. Trying to “reunite” your family, as Inkheart explores, is a different
struggle altogether and it’s a struggle that can drive people apart or pull
them closer. Inkheart also looks at the perspective of a child in these
situations and how they cope. Meggie read. “There was another reason Meggie
took her books whenever they went away. They were her home when she was
somewhere strange. They were familiar voices, friends that never quarreled with
her, clever, powerful friends -- daring and knowledgeable, tried and tested
adventurers who had traveled far and wide. Her books cheered her up when she
was sad and kept her from being bored.” Books became her family when Mo was
driving or when her mother was gone.
Three
to Get Deadly (or TtGD from here on) explores the struggle of a family member
doing something stupid or getting into trouble (which can actually be the same
thing). Moses Bedemier, a well-liked and a respected member of the Burg
community got into some trouble. And when a member from the Burg gets in
trouble, everyone in the Burg will try to help them get out of it… By refusing
it ever happened or what they did wasn’t wrong. A part of the family aspect TtGD
explores is the aspect where everyone knows that the job must be done.
Something needs to change and it needs to change now, but it’s family you’re
dealing with. As Stephanie so elegantly
put it, “I make lots of mistakes. I try hard not to make the same mistake more
than three or four times…” is what everyone wants to hear. It’s expected that
someone will try their best to change their life and getting them to do that
can be the real struggle. Showing this can be important to many people as it’s
a very real problem people have to deal with. Getting through to someone can be
one of the greatest feelings in the world and that’s the type of hope many
people need in their lives.
All in
all, Inkheart and TtGD were both very good books and appealed to me in different
ways. If you were to use a rating scale of 1-10 (because I’m lame like that)
Inkheart landed at a solid 6. If you take into consideration the audience it
was intended for (i.e. not 16 year old high school sophomores) it would be
rated higher, but at this point I really appreciate writing style more than I
used to. As much as I love Cornelia Funke and her books, it’s just aimed for a
less advanced audience. Three to Get
Deadly lands more at a 7 due to the humor factor and the reliability factor in
the way Stephanie lives and acts (due to the fact that it’s very similar to the
way I live oops). Overall they were fairly decent books.
Good analysis and insight about each book, especially your commentary on the themes and bigger ideas each addresses. Strong writing!
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